Carruthers maintains notebooks for each of her projects. The notebook for ‘slippages’ functions as an essential resource for those interested in investigating the artist’s creative process. Assembled over two years, this notebook is comprised of hand-written texts, inspirational preliminary sketches, and unique inserts.
Upon returning to Montréal after visiting Athabasca Glacier, Carruthers set to work in her studio, pinning up prints of her photographs to the studio walls and making preliminary drawings for a series of finished paintings.
Carruthers commissioned special hand-made paper for the final images, requesting sheets be made with random holes. As the pages are placed over each other, the holes function metaphorically to stimulate the performer into imagining peering through the surface of the glacier to consider its past. Carruthers states: “With a glacier, the present is on the surface. You are working from the present to the past. Each layer, each sheet of my score is a layer of history.”
Along with the paintings, Carruthers created a streaming video component that would serve to compliment the central aural experience.